CG Today - VFX News

SCRATCH data workflow and DI tools deliver the power and flexibility to grade and finish critically acclaimed feature

Stuck onWhen a film you've visually polished receives rave reviews, and then gets snapped up for global distribution by Sony Pictures Classics, you know you're really on to something. This is exactly the experience of Stuck On On, a small Austin, Texas-based post-production facility, which applied a full-on, 2K DPX, DI grade in SCRATCH® to the feature "Take Shelter," directed by Jeff Nichols.

DominicHybrid production company Mothership has named Dominic Bernacchi executive producer, marketing and sales. A seasoned creative executive, producer and talent manager, Bernacchi will foster relationships with Mothership's advertising and entertainment clientele and help to nurture and build Mothership's director roster.

Mothership President Ed Ulbrich said, "Not only is Dominic connected within the advertising community, he's highly regarded by directors. His capabilities run deep. In his previous production company posts, he's been integral in helping develop and guide the careers of very successful commercial directors, some of whom have moved into film. He has a strong reputation as an agency resource - someone with impeccable taste, who consistently brings great talent to their projects."

Stunning Effects Made Possible by GenArts Sapphire Help Bring "Alice in Wonderland" and "Iron Man 2" to Academy's Attention

Gen Arts LogoGenArts, Inc., the premier provider of specialized visual effects software for the film, television and video industries, marks yet another year having been used to create visually rich effects in Oscar-nominated films. Visual effects (VFX) artists who worked on nominees "Alice in Wonderland" and "Iron Man 2" created many of the blockbusters' effects using GenArts Sapphire, the industry-standard VFX toolkit. With these nominations, GenArts celebrates 14 consecutive years of having been integral to creating effects for a nominee in the Best Visual Effects category.

If you’ve seen Black Swan, it’s likely that the beautiful but agonizing dénouement, when Natalie Portman’s Nina transforms into the title winged creature, is indelibly etched into your mind’s eye. Visual effects studio LOOK Effects created over 200 shots for this multiple Academy Award-nominated movie, including the unforgettable visual imagery in the final scene when Nina spins off into madness.

Black Swan

LOOK Effects (LOOK) is a long-time NVIDIA customer, with 30 artists from its New York and Los Angeles studios working on Quadro professional graphics processing unit (GPU)-equipped workstations. On Black Swan, Quadro solutions played a key role in the creation of Portman’s transformational scene, enabling director Darren Aronofsky to work closely with lead 3D artist Shawn Lipowski and quickly iterate shots for review. The breathtaking sequence also clinched a British Academy of Film and Television Arts (BAFTA) Special Visual Effects award nomination for LOOK.

California, Artist owned-and-operated bi-coastal effects boutique Brickyard VFX recently completed work on their third consecutive Titleist campaign via Arnold Worldwide. The "Leadership 2011" campaign includes nine spots, which are all currently airing to coincide with the PGA and LPGA tours. Brickyard provided visual effects, finishing and beauty work for the campaign directed by Greg Kohs of @radical.media.

Titleist

"Stats" showcases the technical side of golf through graphical representations of real-time golf game data, including drive accuracy, sand saves, ball strikes, approach accuracy, greens in regulation and proximity to hole. Brickyard collaborated with Arnold from the very beginning, and the team was heavily involved in the design and look development process.